Thursday, 5 January 2012

Evaluation Questions

Here, I will be answering, with regards to my three products, the following questions:

  • How effective is your combination of main task and ancillary task?
  • In what ways does your media product use, develop or challenge forms and conventions of real media products?
  • What have you learnt from your audience feedback?
  • How does your media product represent particular social groups?
  • What kind of media institution might distribute your media product and why?
  • Who would be the audience for your media product?
  • How did you attract/address your audience?
  • What have you learnt about technologies from the process of research, planning, construction and evaluation of this product?

How effective is your combination of main task and ancillary task?

  I believe that throughout the process of constructing the main product and two ancillary products, I have created a common theme, including the text colours, font, logos, colour schemes etc. This theme occurs across the music video, website and promotional CD cover.
  Before I even began thinking about planning the products, the research I carried out enabled me to expand my knowledge of the media products available, and the codes and conventions required in a music video to make it effective and appeal to its audience. I think that I have coerced with these codes and conventions as regards the music video, as it is effective and judging by the audience feedback, appeals to my target audience. From creating this, I was able to go on to create a theme which I intertwined into the CD cover and website, thus linking the three products together in an effective, recognisable combination. The similarities between the products allows the audience to recognise that they are related, and therefore make the products more memorable to them.
  I used images in both the main and ancillary tasks that were directly related to one another, thus linking the products together more strongly than just using the same fonts or colours. Despite taking numerous still photographs on the day of filming, I decided to use two still images captured from the footage used in my music video, on both the CD cover and website. The image of Ben playing the guitar right at the beginning of the video is the background for the webpage but faded out to show the text etc more clearly, and the image from the very end where Ben looks out to the sea from the beach, as the back of the CD cover, again faded out in order to make the text bolder. This technique was effective as it ensured the theme of the music video carried on into the two ancillary tasks in an efficient manner allowing the audience to associate the three products together.
  To conclude, I believe through a mix of fonts, a logo, colour schemes and images, I was able to invent and create three media products designed to promote themselves in an effective way whilst appealing to the target audience, allowing the audience to familiarise themselves with the products without being overwhelmed with an enormous amount of information.


In what ways does you media product use, develop or challenge forms and conventions of real media products?

I believe that all three of my media products use, develop or challenge the forms and conventions of media in their own way. This is because they are all unique from anything already on the market, whilst using existing codes and conventions.

Music Video
  In my music video I have challenged forms and conventions of real music videos in a number of ways. Firstly, I did not include many extreme close up shots when filming and editing. In professional music videos, they would include some extreme close ups, often to show the lips as the artist sings, or as they play their instruments. I have included one EC up at the very beginning, when Ben is playing his guitar, but this is the only time, as I felt that the setting of the video was important to convey to the audience. The lyrics 'Lost at Sea' link with the setting of the beach and sea, so I was keen to include as many shots of Ben singing and playing with the background visible.
  Another time I challenge conventions is at the beginning of the video, when Ben is 'busking' on the streets and the girl drops money in his guitar case. As she approaches he is singing in time with the music, but he stops as she walks away. However the lyrics are still sung on the dubbed-over version, which makes it seem as though someone else is still singing after Ben has stopped. This is uncommon to see in current music videos, as the singer will either sing or not, and not pause halfway through, with a voice carrying on. I think this adds to the ethereal mystery of the music video, along with the fact that the girl 'isn't really there'.
   The black and white tint I added to my video during the editing process develops forms and conventions of existing media products. This is because while I took inspiration of making the video black and white from knowing that more Indie videos are filmed in this way than any other genre, they are still uncommon in other types of music. The most common type of video is colour, which is why I am developing the conventions, and not using them here, as being in black and white is not a rule for Indie music videos.
   By slowing down a few shots in order to fit with the tempo of the music, or, like with the flying bird shot, elongate the movement to keep with the longer note being sung, I have also developed codes and conventions. Most of the time in music videos the shots will stay in the same speed, to keep consistency, although if there is a high-action video, the footage may slow down to show the actors' expressions or to elongate the moment.
   Using codes and conventions in music videos is important, so that the audience can recognise it as a music video. By using a wide variety of shot types and angles, I have used conventions. I used shots such as high angle, low angle, pan, tilt etc, which adds to the authenticity of a professional-looking music video.

CD cover
   The mise en scene of my CD cover shows Ben walking away from a groyne on a beach where he has just left his shoes and his guitar. Because you can see Ben but not his face, I feel I have both challenged and used conventions on the front cover. This is because in most CD covers, the artist is on the front, which Ben is. Therefore I have used this convention. Also, because you can see him but not his face, I have challenged conventions by only letting the audience see the back of him, on his debut single. This leaves a lot to the imagination, but also forms as a way of 'not judging a book by its cover' because the audience cannot form ideas about Ben's music from seeing  his face or expressions.
   I have developed codes and conventions on my CD cover because of the black and white tint I have added. This is quite uncommon for a CD cover, as usually they try and make the cover stand out as much as possible so it is eye-catching on the shelf, and so then more people will buy it. I have used black and white both to continue with the theme from the music video, and to make the guitar and shoes contrast greatly as they are still in colour.
    In this way of having part of the cover in black and white and part in colour challenges forms and conventions because I believe there are few if any made in this way (that I have seen certainly). It is still obviously distinguishable as a CD cover because of the name of the artist and the song (using codes and conventions) which I have included, but stands out against other CD covers currently existing.

Website
   I feel I have challenged the forms and conventions the most out of the three, on my website. It looks professional enough, but so unique and interesting too. The first noticeable thing I would say is that the title of the page, Benjamin John, is situated in the right middle of the page. This is unusual in websites as normally the title would be found at the top, so it is the first thing the viewer sees as they enter the web page. I placed it here to challenge the forms, and become a central point of focus on my web page.
   The situation of my links to internal pages are scattered and skewed around the title, in an ordered disorder. On existing websites you would usually find the internal links listed to either the left or the right, or along the top, under the title. Therefore I have challenged forms again by placing the links in no particular order, at no particular angle. I think it adds a more care-free appearance, which conveys the feelings of Ben's songs.
   There is very little on the actual homepage, the main features being the Lost at Sea video, the internal links, the background and the name of the page. Because of this, the length of the homepage is very short, and so there is nothing for the user to scroll down to see, which is unusual. Normally on a homepage there is at least double the length of what you see originally. This is another example of my challenging the forms.
   Of course, I have used a lot of the usual codes and conventions of existing websites. For example I have included navigation (albeit not in an orderly manner), a background, external links, a recurring colour scheme and videos. This means my website conforms to a stereotypical website format, but the way I challenged the layout makes it unique and interesting while doing its job effectively.


What have you learnt from audience feedback?

  To begin with, I designed a questionnaire aimed at my target audience of young people aged 15-24. This questionnaire was thoughtfully compiled with a variety of questions in the interest of finding out exactly what I needed to know. After distributing the questionnaires to people who fit the bill of 'target audience' and gathering them back in, I then analysed the results in order to create a review of what it was that my target audience wanted nowadays from the music industry, and in particular, what I could bring to them via my music video.
  I learnt that the most popular artist out of the choices given was Ed Sheeran, a singer from the same music category as Ben is; Indie. This was a good discovery as it meant that there was a chance that my music video along with Ben's music would prove popular with my target audience. Another thing I learnt from my audience feedback was that 90% of people surveyed said they preferred originality in music videos, rather than familiarity, which is why, as I will explain further down, I have tried to challenge forms and conventions in my media products, rather than use or develop them.
  After carrying out this research I then went on to create my media products. The information I gathered became invaluable, as it allowed me to steer my products more towards the needs and wants of my audience, better to appeal to them, which would enable my products to become more successful and therefore my endeavours would be more efficacious.
  When the products had been created, I then asked for feedback from various people within my target audience age group, who all told me positive things about my products. I also had some helpful criticism, for example one person told me that the 'jump cut' didn't work very well and should have tried a different approach to it. I appreciated this criticism, yet left it as it was because it was something I could write about in the section of 'challenging forms and conventions'. Also, I quite like the way that cut turned out.
  I used the audience feedback I gathered to mold my media products, and to create a music video, CD cover and website better catered for the audience's needs and wants in order to create a more effective bundle of products, therefore making them more successful.

How does your media product represent particular social groups?

My music video, CD cover and website represents particular social groups by conforming to stereotypes (e age, ethnicity, sex, social status). I conducted research into the different stereotypes on the Internet, and newspapers, so I could create a realistic representation. My target audience was males and females around the ages of 16-25, possibly mainly students. This is hard to define, as my artist Ben is an Indie/acoustic artist, yet doesn't dress or look in a way that one would suggest to be stereotypical of any social group, save for a student. I used ideology and symbolism such as a guitar and casual clothing in order to represent Ben as he is, a young student who could look slightly scruffy. Lucy, the only girl in the video, is not represented in any particular way, thought some could say she is a 'troublemaker', acting like a naughty child who cannot be caught for punishment. She leads Ben on, smiling mischievously all the while. In contrast to Laura Mulvey's theory, I have represented Lucy as neither an 'innocent virgin' nor a 'whore', making me challenge this theory and indeed the forms and conventions of a music video. I did not conform to age-old stereotypes wherein the woman is inferior to the men, and to show this, I added high angle shots from Lucy's perspective as she looks through the railings down at Ben, but then as Ben reaches the top of the stairs and looks out to sea he is looking slightly down to her, and the teaming of these two angles so close to each other in the video shows how there is neither one of them more superior or inferior than the other. This is my take on representing a modern type of social group who doesn't treat women as inferior.


What kind of media institution might distribute your media product and why?

The kind of media institution that might distribute my music video would be a profit based company. I believe as Ben is a new artist and is not yet signed to a record label, then a smaller, independent distributor would be more suitable than a global conglomerate for example. This  is because the larger companies care only about making money, whereas Ben's main aim is to get out there, get noticed and let people hear his music, which a smaller institution could help him do. Had Ben been signed to a record label then the label would be the ones to distribute the song to the audiences, who would then take a cut of the profits made. The video would then we distributed to music channels on televisions, the Internet and the song to radio. It would be available to download from sites such as amazon or iTunes, and available to buy, with the CD cover, from shops such as HMV or WHSmiths. The CD cover could be used as an advertisement on billboards, in newspapers and magazines and on the Internet. This way it could attract a wider range of people, because of the broad advertising.


Who would be the audience for your media product? How did you attract/ address the audience?

As I previously stated, the target audience for my music video, website and CD cover is young people of both sexes aged 16-25, possibly students, possibly with part time jobs. They would be fans of indie music, or pop music, as this song could also be classed as. Their reasons for viewing the music video would be:
  • Escapism; to escape from their own troubles for a while, to watch someone else's life for a change
  • Entertainment; to enjoy watching something they like, be it the audio or the visuals
  • Identification; to relate to the people in the video, particularly if it's a realistic narrative
As viral download sales are increasing by millions each year, and tangible shop sales are decreasing rapidly, I decided the best way to promote the music video and to attract the audience was online. After deciding this, I uploaded Lost at Sea to YouTube and then Twitter, as these two websites are extremely popular with young, meaning my target audience, and older people alike. This means I will attract a wider audience than just advertising in a newspaper. In a week I had had 16 views and one 'like' on YouTube, which isn't much, but it still means that the video is getting out there to the audience.


What have you learnt about technologies from the process of research, planning, construction and evaluation of this product?

This year I have used a variety of different editing and creating programs in order to make my music video, CD cover and website look as professional and effective as possible.
   When shooting my music video, I learnt how to use the HD video camera to a good standard so the original footage would be of good quality, as it is the basis for my whole package. After filming the footage, I then got to grips with the software used to compile my basic music video. This was called Adobe Premier Pro 6.5, and included a variety of tools in order to cut, crop and move my footage into place. I was able to add the recorded music over the top, and remove the original sound from the video camera. I spent a lot of time editing the sound so the lyrics fit with Ben's lips on the video. I took my time on this, because it needed to look as professional and perfect as possible. I then changed the speeds of the clips which I sped up or slowed down, so the video would be ready to edit on the editing software. After I had compiled the basic video, I transferred the file to Adobe Premier Editing Suite Where I added the titles at the beginning, the fades and cross fade transitions, black and white tint, solar flare, white fade at the beginning and end etc, all of which I learnt how to do this year with the help of finding my own way around the software, and the online tutorials. I learnt easy shortcuts, such as 'c' to cut, and 'ctrl' + 'z' to undo. These all helped to speed up the production process slightly.
   To make my website I discovered Serif Web Plus programs which included everything to make an effective website easily. I used Serif Photo Plus to edit pictures to include as the background of the website, and also to edit the images for the CD cover. on the website I already knew how to add internal and external hyperlinks and new pages, and just applied this knowledge in the making of Ben's website. In PhotoPlus I was able to add transparency effects and tints, add layers and different images and text, change the order of the layers so some were more visible than others, and cut out bits of one image then paste them back in. All of this I learnt how to do this year with the intention of creating exciting and interesting products.
   With regards to the production process in professional businesses, I learnt all about the technologies they use, including dollys when filming, recording studios to record the music which is dubbed over, the expensive computer software they do their editing on etc.

Wednesday, 14 December 2011

Director's Commentary

My music video was filmed in Rhyl high street and Rhyl beach in North Wales. I managed to get all the filming done in one day, with footage enough to have to cut out over 50 minutes which I simply couldn't fit into the 4 and a half minutes music video. Here I will explain what I did with the video and why.

I began the video in black which then faded quickly to white. I did this because it makes it seem like the viewer is beginning a dream. The settings of the black and white tint in the first few seconds were altered so it's brighter, giving the effect that it's a dream, too.
  The first shot you see of Ben is a long, high angle shot where you can see him sitting down busking with his guitar. I used the public walking past him taking no notivce of him, because then this clip fits with the 'Lost at Sea' lyrics, making it seem as though Ben is 'lost' though there's so many people around him. The high angle shot emphasises this, making him seem insignificant.
  I filmed Ben singing the whole of his song in one position which I could then use as a cut back, and to fill in gaps in the narrative. This was filmed with Ben standing up playing his guitar and singing. It is a medium shot so you can't see past his knees, which I chose to do because the further out I got, the less clear Ben's lips were, which I needed them to be in order to sync the words with the lips, and also for the audience to see. I chose not to do a close up, because I wanted to include the guitar in this shot.
  I then fade into a shot similar to the previous one when Ben is sitting down busking, as this is when Lucy is introduced first. The audience can't yet see Lucy's face, which adds to the mystery of her being. Ben is instantly captivated by her, so much so that he pauses singing (only for the dubbed over track to continue).
  The next shot is from Ben's perspective on the floor, watching Lucy as she walks away and beckons him to follow. I used a low angle shot looking up at her because at this point in the video, she has all the power over him. I added a solar flare to this clip because it makes Lucy seem more mysterious and dream-like.
  When it cuts back to Ben on the floor, the sun has broken through the clouds so Ben's face is illuminated. I originally shot this clip twice, the second time because I didnt  think the sunshine looked right. While editing I decided the sunnier clip worked better because of the solar flare I added, and how it looked as though it was Lucy's sunlight which was illuminating his downtrodden existence.
  After another shot of Ben singing with his guitar, the camera then follows Ben as he follows Lucy down the street. You can see her over his shoulder, always dancing away from him. I used this shot as it makes a change from always using a 'bird's eye view' shot or high angle, while the audience can still see what it is that Ben's seeing. This shot is shaky as I'm not using a dolly or any sort of tracker, but I think it adds to the urgency of Ben's quest.
  I then switch shots to watch them coming towards the camera, Lucy in front again further from his reach, as a long shot of the two. I decided on a long shot because it showed the whole of the two of them for the first time, and the audience can take a good look at them both.
  Ben then goes on to emerge from around a corner, seemingly to have lost Lucy. he searches left and right for her before spotting her across a busy and crowded road. He doesn't hesitate in sprinting after her, with no regard for his own safety. This is the first time that the audience can tell that she won't be easily caught.
  After another shot of Ben singing and playing, an instrumental begins, and I decided to add images of ordinary things that Ben might see as he races after Lucy; the birds flying, the wheels of a bike, the sign-post, the waterfall, the reflection of Lucy in the water. I added these as fillers during the instrumental, and to add depth and realism to the video.
  It then fades to Ben singing again, and then fades to a Very Wide Shot of Ben running across a bridge, and cuts to Ben's point of view as he runs. I used this sequence first to show what He's doing and then to show his own perspective of what he's doing. This makes it seem more realistic, as this is a frequently used technique in music videos.
  I then sandwich two shots, one of people walking on the beach and one of birds on the beach, inbetween two shots of Ben singing, just to continue with the abstract shots from before. They reinforce the theme of the beach and sea as they're both of the beach.
  Then the shot of the slowed down bird fades in and fades slowly out at the end of the note that lasts three bars. This shot is juxtaposed with the lyrics, as birds are very free animals, yet the words say "Can't escape from this place".
  Ben singing with his guitar then fades to a very wide shot of him walking through a wide pavilion and putting his guitar on his back. I used this shot because it adds realism to the video; they dont normally show the minor details like that.
   It then fades into a medium shot of Ben looking oout to sea singing with his guitar. This shot shows how Ben is still searching for Lucy with no luck. He is on the left edge of the screen, which leaves more room on the right for him to 'look' int, which creates more effect of 'looking'. Here he is singing the end of the chorus, which is a powerful part of the song, and then leads to a very quiet part which builds into the crescendo before the finale.
  This shot fades to Lucy's point of view through the railings as she looks down at Ben. The mise en scene of the railings act as a sort of camoflage from him, which adds to the effect that she is etheral and always out of his reach The shot cuts to him looking up to her from his point of view in a low angle shot as she beckons again to follow him. As it switches again to his point of view, the music builds to the climax and as if in time with the music, he sprints off to the bottom of the stairs in haste to find her. The link between audio and visuals at this point goes really well together and creates a desperate yet determined feeling from Ben.
  The shot cuts to the top of the stairs where Ben emerges and the camera spins around with his face in a close up so you can see his emotion clearly. The camera then breaks off and tracks with him to the edge of the railing where he looks out to the beach. The spinning shot is not used with a tripod, so it's quite jerky but I think this adds to the feeling of Ben's frantic search, and makes it look less staged.
  A shot of the beach is then cut to, and Lucy spins in from the right, smiling mischeviously. When she stops she is in a long shot so the audience can see all of her dancing movements and take in all her dream-like aura.
  Then a close up shot of the stairs as Ben's feet run down them is cut to, as the music slows, which makes Ben's actions seem tired and exasperated now, as he's been chasing her for so long. Then it cuts to a low angle shot, as Ben runs towards the camera and leaps over it. it cuts to a side-on shot and sees Ben land from jumping down the stairs onto the sand. These two shots together work well because it creates a smooth sequence of Ben running jumping and landing, via 'two' cameras.
  The final shot of Ben standing and singing with his guitar is shown, and then it fades to Ben facing the camera on the beach searching for Lucy. She then appears from the right edge of the screen and goes to touch his back. The camera then cuts to where she was stood, and it is apparent as Ben turns around that she has disappeared. These shots together create the illusion that Lucy isn't, and never was, there, which was my main objective for the video; to make her and the video seem as dream-like and mysterious as I could.
  Ben then turns to face the sea, and the video fades to white, before finally fading to black. I wanted it to do the same as it did in the beginning with regards the fading because then it would seem like whatever had begun at the start was now ending, i.e. the 'dream'.

I feel the video's aims, which were to create a video to promote Ben's song Lost at Sea, and to make the whole thing seem as dreamy and mysterious as possible, have been achieved. I am very happy with the result, and from the feedback I have recieved, it seems as though the audience, in particular the target audience, enjoyed the video too.

Further Music Video Production; Effects

Effects added to  My Music Video

In order to enhance my music video and make it look as professional as possible, after I had edited the music video, I added many a number of effects via the video editing software “Adobe Premier Pro”.
- Titles at beginning. I added two titles at the beginning of my music video, the first being Ben’s stage name “Benjamin John”, between 0:07-0:11, at the same time as the white fade. This establishes the music video as Ben’s video, so the audience can start to form preconceptions about what the video will be like. The title fades in and out, and is in the same font as is used on the CD cover and on his website, so there is intertextuality, and links between the 3 products. This title is also in black and white, but is in a graffiti style font so it can be seen easily, as it is in the centre of the screen. The second title comes at 0:11-0:13, and states the name of the song. It is in a different font to Ben’s name, and is in the same font as is on the CD cover. It also fades in and out, but because the background isn’t plain, but is footage, I had to place it in the right hand corner, where there isn’t anything to overlap, so it could be clear.




- Black and White tint to footage. Music videos in black and white are typical of the Indie genre, and while I wanted to stand out from other videos of this genre, I also wanted some of the codes and conventions to be the same. Also, in the original footage, there was a lot of bright colour from the pavements, people’s clothes, shops etc, which could take audience’s attention away from the focus of the video, i.e. Ben and Lucy.



-Fade to white at beginning. Between 0:07 and 0:11, the first piece of footage fades to a white screen, to mark the beginning of the ‘story’. This makes the video seem like a memory, as if Ben is just remembering it, or like a dream. This also makes the title of Benjamin John stand out, because it is a graffiti style font.



- Cross fades. I have added many transitions between the clips, which are used to soften the cuts between clips, or to show a change of location or time. I used cross fades mainly in the instrumentals, when using clips of miscellaneous things such as the waterfall and the beach.


- Fade. As well as cross fades, I also used fade ‘dissolves’ between shots. This, like above, is used to make the transitions between the clips smoother and to highlight a change in time or location. For example, I used these mostly when cutting back to the frequently-used shot of Ben standing with his guitar and singing.


- Solar Flare. Between 0:40 and 0:46, I added a solar flare effect to a shot of Lucy. This is the first time in the video that the audience sees her face, and the flare makes her seem unreal and mysterious, like she’s as tangible as sunlight. This adds to the whole ‘dream’ concept of the video. I had to add this before the black and white effect; otherwise the flare would be in colour.



- Jump Cut. Jump cuts are used in music videos in order to hide a mistake made by someone. In this case, I had to create a jump cut because the recorded music was too fast for the footage. I softened the transition between the cut, so it would seem less harsh and slightly less noticeable in the process. This cut can be seen at 1:13.


- Slowing Down of footage. In two clips in the video I used the ‘Speed/Duration’ tool to slow down footage. At 1:20-1:23 in the shot of Ben running across the road, I slowed down the footage to 75% rather than 100%, as was the original. I did this because at that point in the song there was a long, drawn out note sung by Ben so the part I slowed down fit more with the music. Also, the slow fade I added flowed better with the slower footage. In another place, I slowed down a clip where Ben was singing (3:04-3:09), to 95%. I did this because the footage of him singing was too quick for the recorded song, and his lips weren’t in time.




- Speeding up of footage. As well as slowing down two pieces of footage, I also sped two up. At 3:23-3:34 I sped up a clip where Ben is running, to 115%. I did this because the tempo of the music was increased, and therefore needed quicker visuals in order to link together well. At 3:37-3:43, I increased the speed of the footage to 120%. The clip was when Ben was spinning around searching for Lucy. Again I did this because the tempo of music was increasing to the maximum point in the song, and therefore required quicker visuals. Also, because the increased speed makes his searching seem more frantic.





- White fade. At the very end of the music video, I added a white solid which the footage fades into, and then into black, where it ends. This is to mark the end of the ‘memory’ or ‘dream’ which Ben was remembering/living, and really emphasizes the mysterious, dream-like concept of the music video.




This is the final screenshot of my finished music video:


My CD Cover- Planning, Production and Evaluation

Above is the finished DVD cover for the music video 'Lost at Sea' by Benjamin John. I have continued with the black and white theme, and the same setting as in my music video. I did this to show references between the two, and so the cover for the single reveals something about the video. Although in two of the CD covers I analysed you don't actually see the artist, you can see Ben in the image, walking away from the camera towards the sea. This image carries on from the end of the video, where he loses the girl he's following for good, and looks out towards the sea. After viewing the video, you could assume he has then gone on to leave his shoes and guitar on the groyne to walk into the sea. It leaves something to the imagination for the audience.
   The mise-en-scene of the front cover shows Ben walking towards the sea, after having left his guitar and shoes on the groyne. When I first started editing the image it was in vibrant colours, as it was quite a bright day when I did the shooting. I decided to add a black and white tint to stay with the theme in the music video, but when I looked at it, it seemed a bit dull and 'samey', so I began again, this time using the 'lasso' cutting tool in Serif PhotoShop to cut out the main items in the image; the guitar and the shoes. I then added the black and white tint, altered the brightness and contrast slightly, and pasted in the guitar and shoes to make a contrast. The eye is then immediatly drawn to the two, which make an interesting focus for the front cover. I altered the CMYK colour balance so the cyan, blue and greens of the original colours are bolder than the yellows of the sand fro example
   The name of the artist, Benjamin John, is in the same font as is used in the music video and the website, which adds intertextuality. This font was downloaded off a font website, which makes it more unusual and unique. . The colour was cloned from the darker purple of the shoes, then altered to 64% transparency to soften the colours, as if they've been worn into the wood of the groyne. The name of the song, Lost at Sea, is positioned underneath the artist's name, in the same font that it's written in in the music video. The colour is clones from the lighter red colour from the shoes, and then made transparent to 55%. I used different fonts for the artist's name and the title of the song, to make the difference between them distinguishable, and for those who havent heard the song before, to know which is which.


This is the back of the DVD cover for the music video. Again I have continued with the black and white theme, while adding a splash of colour in the text. The image was taken when I was shooting the footage for the video, so I'm linking the two together again. In the image you can see the groyne leading into the sea parallel to a stream running through the sand. It is the same groyne as is on the front of the cover, which makes it seem as though this angle is from Ben's point of view as he contemplates walking into the sea. On top of this image. I then added the song list, in the same font as the artist's name is written on the front, in the same dark red as the front. I then faded it to 75%, but then felt it wasnt clearly readable enough. I then added a rounded rectangle in black and faded it to 34%, so you can still see the image behind it. I added this so that the song list could be seen more easily. It is a very simple back cover, with the song list being the main focus, but it serves its purpose which is to inform the buyer of the names and order of the songs on the CD. At the bottom right corner I added a barcode, to make it seem more professional, and some plain white text reading "Written and perfomed by Benjamin Mitchell", "Produced by Vikki Evans" and "Copyright 2011" to add authenticity as this is what you would normally find on most CDs produced nowadays.


Feedback:
"The image is so cool! the editing looks great, yeah it would stand out at HMV." George Thomas, from my target age group

"I love how the guitar and shoes are in colour, really eye-catching" Lucy Connah, also from my target audience

"The softness of the water on the back cover blends really well with the faded words, it looks dead mellow!" Craig Smith, my 21 year old cousin who is in an Indie band himself

I was really pleased with this feedback, as the people asked were all in my target audience, and all gave very positive answers. Overall, I'm quite pleased with the outcome of the CD cover, as it looks quite professional. I think the colours blend well together and the references to the website and the music video are subtle yet recognisable. the difference between the black and white and the bright guitar and shoes make a bold, eye-catching contrast that would make the cover stand out on the shelf.

My Website- Planning, Production and Evaluation

Here are some design mock-ups for my website for singer songwriter Benjamin John:
 
1:
2:
 
3:


I have decided to create my website using the design template number one, because it looks original and interesting, different to most websites available today while still looking effective and abstract.

I have compiled a list of items I will need to include in my website to make it as informative and interesting as possible:
  • Internal links to: News, shop, contact information, music playlist, latest releases, blog, images, dates
  • External links to: YouTube, MySpace, Twitter, Facebook
  • An image of either Ben or something relating directly to him or his music
  • The title of the page (his name)
  • The finished music video



This is the website I made to accompany my music video and DVD cover for Benjamin John. I took inspiration from the two websites I analysed previously; Eliza Doolittle and Ed Sheeran. The icons that link to YouTube, My Space, Twitter and Facebook at 1 have been influenced by the similar icons found on Eliza Doolittles homepage. They serve as a quick external link in order to find out more about Ben via his YouTube channel, My Space page etc. The four links are much more concise than having the whole link e.g. www.YouTube.com, or more simply, the word YouTube as a hyperlink. They are easily recognisable and take up much less room.
  The background at 6 is a screenshot of the very beginning of the Lost at Sea music video when there is an extreme close u of Ben playing the guitar. I took the image and removed the background of the shot, so the sole focus is bens fingers and the guitar. I then softened the image and faded it all together so it would become more of a background than an image. This can be called intertextuality as I am linking the website which is one type of media with a music video, which is another. I have taken inspiration for this from Ed Sheeran’s website, where he has done a similar thing on fading an image as the background of his website.
   At 5, there are five links in the shapes of flags of the world, which you can click on to take you to the same site but in French, German, Spanish or Italian. I have created the same website homepage in these languages, and the links lead directly to them. Doing this means this website can attract a much wider audience.
   The different pages of the website have their links surrounding the main title of the page, at 2. They are written in a graffiti-style font, which links with the font of Benjamin John. The colour is taken from the background-image colour, and made slightly darker so it stands out, but I faded the text so it looks slightly softer. The eight internal links are all set at different angles, in order to link with the graffiti-look of the fonts. The main title of the page (4), is Benjamin John, the name of the artist, and written in the same font as can be found in the music video and DVD cover, again showing intertextuality. Again as with the internal links, the name is in the colour of the background yet darker to make it stand out, and faded to make it softer, yet the font is different so it is clearly displayed as the title and not a link.
   The music video I created is available to view on the website homepage at 3, which is linked from the uploaded video on Youtube.


Website in French


Website in German


Website in Spanish


Website in Italian

   I think the general outcome of the website is effective; it is easily navigated because of the clear, large links to the internal pages, and there are several links to external pages in order to further the viewing experience. The colours are quite plain but there is enough to interest the audience whilst making it easy to read. There is enough white space so that it isn’t too clustered or boring. There is much reference to the music video, so the audience can tell straight away (if they have seen the video) that it is Ben’s homepage.


My Music Video

This is the link to my final finished and converted to mpeg format music video for the original song Lost at Sea by Benjamin John :
http://www.youtube.com/watch?v=uqJ6gQ9UOJQ

This is the first music video for Ben, so the audience has no preconception as to what it will entail. The song's tempo is quite slow, but builds to a crecendo in the latter half which is when the pace of the video speeds up in order to fit in time with the music. This was a conscious decision I made after viewing numerous videos in which the song starts of slower and builds, along with the visuals. The type of music video is a narrative, in which Ben is 'following' a mystical girl around a city and she eventually leads him to the beach, always ust out of his reach, where she then disappears. I decided to produce the video in this way because the way he was following her made him seem 'lost' which then referred back to the lyrics. I shot the footage in Rhyl, North Wales, and because it is a non-descript sort of place, and due to the genre of music, Ben was dressed in simple clothes typical to the indie genre; jeans, a t-shirt and a soft woollen hat. The edits and cuts vary between slow fades and cross fades when the song is still at its slowest in the beginning, but as the tempo increases, the cuts become quicker in order to kee pace with the audio and visuals. Because there was a great deal of noise when I was filming, I had to remove the sound later when I was editing and replace it with the actual recorded song, syncing the words in time with the lips. This took a long time to do as the song was quicker than the footage at times so I had to either slow down or speed up the clips as needed.

If I could have done anything differently, I would have maybe got some 'insurance' shots of one or two pieces of footage as when I replayed them they had large jerks or the lighting was wrong, which meant I couldn't use them. Although I got more than enough footage, there was always the chance that all my shots weren't perfect and then my music video would not have been a success. Overall I feel that the video works well. The audio and visuals fit well together and the editing varies to meet the tempo. My favourite part is the high-angle view of Lucy looking down at Ben through the railings, then down to Ben looking up, and then back to Lucy's view. This is when the song's speed increases and Ben's urgency, teamed with the guitar riff and followed by the spinning around as Ben searches creates a frantic, desperate effect that I believe works well. My least favourite part is in the very beginning few lines when Ben's lips dont fit perfectly, and looking back I wish I'd spent longer on it.

  Some of the feedback I got from showing my video to people in the target audience were:
"I thought the black and white made it look very Indie-ish, and the slowed-down bird shot looked so cool! I like how the girl wasn't really there." comment by Andy Holden who is in my target audience, therefore I am pleased he likes it, as it bodes well for acheiving my goal of appealing to my target audience.

"It looks so proffessional! The lip-syncing with the music is really sharp and the editing so fits the music, I'd buy this dvd probably, yeah" Emily Williams, who is also in my target audience.

"I really like the outcome, it looks professional and was just what I wanted! I like how she edited it so the girl was never in my grasp." Ben Mitchell, who wrote and performed the song, Is in the target audience also, and it pleases me greatly to know he likes what I have done with his creation

"It's great, really suits the lyrics and what the song's trying to convey." Davd Mitchelll, Ben's older brother whom I've never met and is most likely to be honest as he doesn't know me personally. I am most pleased with this comment, as suiting the video with the lyrics was my main aim.

Thursday, 8 December 2011

Storyboards

In order to plan my music video ahead of production, I have drawn out storyboards with all the shots I will need to take, to make sure I get enough footage, and can cover every part of the song. This will also help me stick to my schedule, as I can tick off each part of the storyboard when the shots have been filmed. Below are scanned images of the storyboards, including transitions between shots, shot types incl. angles, tracking etc, and what sound will be heard for each shot. In another blog I will describe the effects I will add when editing the video afterwards.